This concert is an invitation to travel through the music of the three cultures, bringing together fragments of the Andalusian tradition with Sephardic compositions and themes of medieval Christian music. Ana Alcaide added a new touch to these different kinds of music by introducing the Iberian medieval music of the nyckelharpa which is a traditional stringed musical instrument of Swedish origin.

Aroug means the roots that are attaching us to the mother land. It is a vision coming from the old tunisian music along with its different styles. Throughout his project, Badreddine Dridi wants to prove that in order to invent new styles and musical forms we need to ensure strong basements. Actually, Bader launched Aroug to dig into the tunisian musical identity and its afro-berber heritage: Stambali, aaroubi, sahraoui, rakrouki, etc.. and maghrebin styles such as Rai and Gnawa

Al-Shawakah is a mystical musical ceremony, usually preceding the pilgrimage season. On this occasion, the pilgrim is ready to go to the holy places to perform the Hajj rituals. This evening, the pilgrim sits either in front of the public come to say goodbye to him, or before a group of singers who will exchange the moments of the song.

Salatin Al Tarab was a Syrian group performing traditional classical Arabic tarab music. The group was made up of various singers and musicians from Aleppo and held a series of successful concerts.

Stanbali finds its roots in the deep traditions of African music which is, in fact, an artistic mixture of the different musical genres that originated in Africa and ended up settling in North Africa in the third century BC. We are hoping that Stanbali would find its rightful place in our nation just as the “Kanawa” music had in Morocco and the “Diwan” in Algeria, especially that our country encourages all ethnic arts.

« AL AMBAR FAH » show consists of two major parts : -first part : lyrical , and it belongs to spiritual and religious singing school with its ‘qasaed’ (pl n of .Qasida),mouwachahat (pln of mouwachah) and short songs that mixes between our tunisian music (tubu’ tounseya )and eastern melodies or what we call (Maqam charki). Then we come to perform ‘selsilat al fouzou’ and it is taken from the ‘tarika Soulamia’ that relies the two parts of the show.